The Power of The Dream

Selamat dan Sejahtera, Bawakan Kevin Ang Pao :) - Posted using Mobypicture.com

Kuch kum roshan hai roshni Kuch kum gili hai baarishein Kuch Kum lehrathi hai hawa Kuch Kum hai dil mein kwahishein Tham sa gaya hai Yeh waqt aaisi Tere liya hi tehra ho jaise Mmmmm..mmmm..mmmm MMmmm…mmmm..mmmmm Kuch kum roshan hai roshni Kuch kum gili hai baarishein Kuch Kum lehrathi hai hawa Kuch Kum hai dil mein kwahishein Tham sa gaya hai Yeh waqt aaise Tere liya hi tehra ho jaise Mmmmm..mmmm..mmmm Mmmmm..mmm..mmmm.. Kyun meri saans bhi Kuch bhiki si hai Dooriyon se huyie Nazdiki si hai Mmm…. Kyun meri saans bhi Kuch bhiki si hai Dooriyon se huyie Nazdiki si hai Jaane kya, yeh baath hai Har subha, aab raat hai Kuch kum roshan hai roshni Kuch kum gili hai baarishein Kuch Kum lehrathi hai hawa Kuch Kum hai dil mein kwahishein Tham sa gaya hai Yeh waqt aaise Tere liya hi tehra ho jaise Mmmmm..mmmm..mmmm Mmmmm..mmm..mmmm.. Phool mehke nahin Kuch gumsum se hai Jaise roothe huwe Kuch yeh tumse hai Phool mehke nahin Kuch gumsum se hai Jaise roothe huwe Kuch yeh tumse hai Khusbooien dhal g

Childhood living it's easy to do The things that you wanted well I bought them for you Graceless lady, you know who I am You know I can't let you just slide through my hands Wild horses couldn't drag me away Wild horses couldn't drag me away I watched you suffer a dull aching pain Now you've decided to show me the same No sweeping exits or offstage lines Could make me feel bitter or treat you unkind Wild horses couldn't drag me away Wild horses couldn't drag me away I know I dreamt you a sin and a lie http://www.elyricsworld.com/wild_horses_lyrics_susan_boyle.html And I have my freedom, but I don't have much time Fate has been suffered and tears must be cried So let's do some living after we die Wild horses, couldn't drag me away But wild horses, couldn't drag me away...away - Posted using Mobypicture.com

It cost six pence when it was bought in the mid-Victorian era but was last valued at £1,000 by experts at the Antiques Road Show in 2005. Owner Paul Parker received the delicate ornament after his mother, Janet, passed away at the age of 69 in 2008, and is the third generation of his family to enjoy it. Displaying the tree for the first time since his mother’s death, Mr Parker is delighted to be carrying on the family tradition. ‘I will proudly be displaying the tree this year,’ said Mr Parker, 45, a mathematician from Bath. ‘My mother treasured it when she was alive and my father Grahame is comforted that I will be carrying on the family tradition. ‘It may not look like much but it has been part of our Christmas celebrations for so many years. ‘It was one of those things the we just grew up with. ‘But everything changed when mum saw an advert in the local paper asking for the oldest decorations. ‘She thought that our old Christmas tree could be important – and she was right.’ The orna

You will be required to perform an individual posing routing to music for the evening show. Occasionally this routine will be preformed in the morning (Pre-Judging) as well. During this routine you will be allowed up to 90 seconds to emphasize what you consider to be your strong points. 1. In this portion of the competition there are no "required" poses. Therefore, put together a routine that emphasis's your strong points hides your weak areas. For instance, if you do not have a good lat-spread than leave the front and rear lat spread poses out of your routine. Similarly, if you lack calf development than I would not insert a double calf raise into the routine. 2. Add variety. Do not repeat the same poses over and over regardless of how good you are at it. I have seen competitors hit a most muscular at the left of the stage, again in the middle of the stage, again at the right and then repeat. The judges will not be impressed with this lack of variation. 3. Choose music t

Some days we forget to look around us Some days we can't see the joy that surrounds us So caught up inside ourselves We take when we should give So for tonight we pray for What we know can be And on this day we hope for What we still can't see It's up to us to be the change And even though we all can still do more There's so much to be thankful for Look beyond ourselves, there's so much sorrow It's way too late to say, ?I'll cry tomorrow? Each of us must find our truth We're so long overdue So for tonight we pray for What we know can be And every day we hope for What we still can't see It's up to us to be the change And even though we all can still do more There's so much to be thankful for Even with our differences There is a place we're all connected Each of us can find each others love So for tonight we pray for What we know can be And on this day we hope for What we still can't see It's up to us to be the change And even thoug

He was born on the 3rd of March 1966 in Mexico City, Mexico. His father is Don Fernando Colunga and his mother Dona Margarita Olivares. Fernando Colunga from the time that was a little boy wanted to be an actor. Fernando graduated from the University of Mexico as civil engineer. But after advice from a friend, Fernando went to the studios of Televisa, the best studios for the well-known and successful in telenovelas. Fernando started his career as a stand-in. A producer noticed his great acting talent and from then the excellent acting career of Fernando begun. His first participation in the television was with the telenovela _"María Mercedes" (1992)_ (qv. The role of Fernando in this telenovela was originally made for 10 episodes, but after the huge success that his role had, the producers made 80 more episodes with Fernando Colunga. From then onwards, he acted in many telenovelas like "Marimar" (1994) before he took his first leading role. His first leading role w